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$1 Bin & Madden “We Don’t Feel Like You” Review

UnknownHarlem-native $1 Bin’s is in a lane of his own. The DJ/producer teamed up with Wisconsin-based electronic based producer, Madden to create the “We Don’t Feel Like You Do” EP, consisting of three originals cuts and four remixed tracks.

With the vast array of sounds being used to create the EP’s calm yet hype vibe, it’s somewhat shocking that the duo was able to create a unified product out of their diverse range of sonic tools. Sampled vocals from Jay-Z and Fatman Scoop enhance the standout tracks “Beyond” and “Track Six,” balancing the songs with mainstream familiarity.

The project’s lone shortcoming is the fact that their production occasionally fails to meet the high expectations it builds throughout a song. Though “Ceremony” is a solid cut, it lags in the middle instead of peaking to that next level-sound that both artists seem just on the cusp of reaching.

This smooth collaborative EP is more of a chill workout tape than a club banger but wherever you decide to bump it, you’ll find it hard to turn off the futuristic sounds of two of the digital age’s most promising young talents.

 
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Posted by on May 10, 2013 in Uncategorized

 

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Kid Cudi “Indicud” Review

imagesKanye’s former protégé, now three albums deep in his career, is back. Since the release of his 2010 solo effort, “Man on the Moon II: The Legend of Mr. Rager,” Cleveland MC Kid Cudi returns with the self-produced “Indicud.”

From the start, Cudi shows that despite being out of the spotlight his skills haven’t faded a bit. Songs like, “Just What I am,” “Red Eye,” and “Girls” show he is still able to create “G.O.O.D.” music even without Kanye’s team behind him. Cudi’s evolved flow and throwback melodies shine well when matched with his dark, moody, beats.

“Indicud” is a solid album, but Cudi struggles to achieve the same emotional depth of past projects. In his quest to grow musically, he’s taken a step back lyrically. Guest features from legends like Too $hort and RZA should have been shining moments but they were hard to enjoy with Cudi struggling to keep up with his elders-turned-peers bar for bar.

Cudi has never been the type of artist to change his artistic vision to fit today’s hip-hop norm, which is one of the reasons why his fan base has been so loyal. Selling 136,000 copies first week with no hit single or big promo is damn near impossible these days, but he did it. On the album, Cudi says he’s always told his friends that he has “powers.” “Indicud” proves that he is truly gifted but also suggests that he may be taking his creative powers for granted.

 
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Posted by on May 7, 2013 in Uncategorized

 

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The Movement: DMV Hip Hop

trelDMV doesn’t stand for Department of Motor Vehicles. Famous for its Go-Go sound, the area known as D.C., Maryland, Virginia recently saw an influx of residents changing their musical aspirations from Go-Go to rap. While DMV Hip Hop is yet to overtake Go-Go on local radio airwaves, residents have slowly been embracing artists from the area and nurturing a fast-growing movement of MCing around the capital city.

In 2012, DMV artists made big noise using talent and determination to bust some cracks into the tightly protected music industry. MMG rhymer Wale broke out commercially after years of grinding leading a handful new artists have followed in his footsteps, placing themselves in position to bust the local scene wide open in 2013.

Fat Trel quickly became the talk of the town in 2012 after releasing his well-rounded “Nightmare on Est.” mixtape. He expanded his fanbase nationally by headlining “The Smokers Club Tour” with Juicy J and Joey Bada$$. Soon after, Trel moved to California to begin working on his new mixtape “S.M.D.G.” While out west, Master P linked with Trel and Atlanta upstart Alley Boy to form the group “LouieVMobb,” whose recently released “New World Order” mixtape was one of the pleasant surprises of 2013 thus far.

Grammy-nominee Wale’s Board of Administration label, which features Black Cobain and newly signed Lightshow, is also beginning to flourish. Cobain spent much of last year promoting his “Cheers” mixtape and opening up for Wale and Meek Mill on their respective tours. Though Lightshow’s travel schedule was limited after being shot in 2012, he was still able to keep his name afloat by releasing viral videos on YouTube and showing out in the Adidas Hip Hop cipher. The future looks bright for both artists this year with new mixtapes from both in the works and Cobain being mentioned as a candidate for this year’s XXL magazine freshman class.

Teen sensation Shy Glizzy garnered a small buzz by dissing Fat Trel. But he’s proven to deserve some of the attention he’s gotten after releasing the street certified “Fxck Rap” mixtape last year. He’s since gotten co-signs from industry veterans and is expected by many to do even bigger things this year.

In 2012, RatheMC was in a car accident, which kept her inactive for six months. Once she was back on her feet she got a call to be on the popular TV show X Factor and went on to be a top 30 finalist. Now under new management, Ra plans on reintroducing herself in her new mixtape “Creative Control.”

With so many artists making progress in their careers, 2013 can only get more promising for DMV artists as they establish themselves and take their movement global.

 
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Posted by on March 18, 2013 in Uncategorized

 

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A$AP Rocky “LONG LIVE A$AP” REVIEW

imagesRap’s brand new guy, A$AP Rocky, garnered a lot of attention over the course of last year. Rocky experienced a lot of notoriety after signing his deal with RCA records back in 2011. Picking up from where he left off on his mixtape, “Live Love ASAP,” Rocky sticks to the same subjects on his debut. All of his lyrics entwine his high-end fashion swag and drug habit.

Throughout the album it’s hard to learn who Rocky is as a person or understand his song concepts. He hardly ever reveals any in-depth information about himself aside from his second verse on “Suddenly” where he talks about his struggling days as a youth. We never really get to know about Rakim Mayers, which creates one question besides knowing he’s from Harlem, loves fashion, and rolls with A$AP MOB — who is A$AP Rocky? Another issue he encounters is the tendency to switch topics in his lyrics, which makes it confusing at times to understand his song concepts.

The exuberant rapper finds his comfort zone on the T-Minus- helmed “PMW (All I really need),” and the Danger Mouse produced track “Phoenix.” On the posse cut, “1Train,” he delivers memorable lyrics that are good enough for him to survive, but not great enough to out shine his peers.

Like so many other new artist, Rocky struggles to find mainstream footing with radio-leaning songs. For his label to invest three million dollars in him, this album was made to attract all audiences, but instead it’s aimed more towards his core fan base. The exciting debut showcases an artist who’s not afraid to be different, and for that, A$AP will live on as long as he continues to evolve as an artist.

 
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Posted by on January 16, 2013 in Uncategorized

 

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2012 in review….. LET’S CONTINUE TO PROGRESS

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

Please visit my website www.shythoughts.com, also share on your Facebook, Twitter, and blogs.

.

Click here to see the complete report.

 
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Posted by on December 31, 2012 in Uncategorized

 

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HOA Bossman “11″ Mixtape Review

Unknown-2HOA Bossman, a rising MC from Brooklyn, New York, is refocused with his new mixtape, “11.” The mixtape title represents his birthday and his age at the time the cover art was captured.

From jump, the thirteen-track tape has him spitting elementary bars on everything from his childhood, to women to his grandest ambitions. The majority of the beats are mellow, soulful samples which fit perfect with his laid back flow. You get a better understanding of Bossman, the artist, when he shines solo on tracks like “Basquait,” “VIII.XI,” and “Everything.” On “My Escape,” Bossman delivers his best flow as he talks about his hardships of his youth. The struggle to escape his situation to make his dreams come true.

The final mix of the project leaves much to be desired, as the vast production often drowns out artist’s voice. Bossman could get lost in your speakers if not for his faithful shout outs to his native Bedstuy. Listeners may crave to hear Bossman switch his flow up from time, but he is at the height of his powers on “Basquait.”

While the “11” doesn’t break new ground for music, it is worthy of showcase on the universal stage. Believe him or not, Bossman’s style and hunger scream truth.

 
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Posted by on December 30, 2012 in Uncategorized

 

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T.I. “Trouble Man: Heavy is the Head” Review

Unknown-1Since his last stint in jail, the most we have come to see from T.I., the self proclaimed “King of the South,” is being an exuberant father to his five rambunctious children on the VH1 show “T.I. & Tiny: The Family Hustle.” Despite his two jail bids in the last two years, his parenting skills are far from lackluster and his commitment to music is still strong as ever. For his eight album, he delivers “Trouble Man: Heavy is the Head,” a compilation of new music he has been working on since his release from prison.

The highlight of the album is T.I. emotional journey on life and those involved in it. He uses vocabulary that some rappers might consider advanced, thus making his lyrics more appealing. Songs like “Can you Learn,” “Wonderful Life,” and “Crusin,” show his multi-faceted rapping skills and keep him from showing a one-dimensional character on the album.

Overall, T.I., comes off sounding like the same young Bankhead hustler we came to love on his second LP “Trap Muzik.” He brags about his younger, wild days as a young boy growing up in the hood. At times you feel like he is fighting his progression as an artist just to satisfy the streets. The album showcases a split personality of a man who is still reminiscing about his past hustling days and a grown man who has progressed into a loving husband, active father, and mature individual capitalizing of his talents. On tracks like “Trap Back Jumpin’,” “Wildside,” and “ Who Want Some,” it is blatant that T.I. has not lost his urban touch.

T.I. has grown as an artist and a man. Although he was known as a rapper from the hood, he is now making his mark in the industry as a talented and educated man wanting the best for his family. He emphasizes to his children the importance of it, and leads by example. T.I.’s journey has been an eventful one, proving that with hard work and perseverance his royal talents are here to stay — THE KING IS BACK!!

 
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Posted by on December 20, 2012 in Uncategorized

 

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